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Art as a weapon

Abstract Expressionism to be exact, in the United States’ struggle against the Soviet Union during the Cold War. It’s now confirmed been confirmed that the CIA secretly sponsored exhibitions including artists like Jackson Pollock, Robert Motherwell, Willem de Kooning and Mark Rothko in Europe during the 1950s and 1960s to show the greater artistic freedom in the West as compared to the Soviet bloc. From the Independent:

The connection is not quite as odd as it might appear. At this time the new agency, staffed mainly by Yale and Harvard graduates, many of whom collected art and wrote novels in their spare time, was a haven of liberalism when compared with a political world dominated by McCarthy or with J Edgar Hoover’s FBI. If any official institution was in a position to celebrate the collection of Leninists, Trotskyites and heavy drinkers that made up the New York School, it was the CIA.

Until now there has been no first-hand evidence to prove that this connection was made, but for the first time a former case officer, Donald Jameson, has broken the silence. Yes, he says, the agency saw Abstract Expressionism as an opportunity, and yes, it ran with it.

“Regarding Abstract Expressionism, I’d love to be able to say that the CIA invented it just to see what happens in New York and downtown SoHo tomorrow!” he joked. “But I think that what we did really was to recognise the difference. It was recognised that Abstract Expressionism was the kind of art that made Socialist Realism look even more stylised and more rigid and confined than it was. And that relationship was exploited in some of the exhibitions.

H/t: JH

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